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<channel><title><![CDATA[Daniel DiFranco - Thinkings]]></title><link><![CDATA[http://www.danieldifranco.com/thinkings]]></link><description><![CDATA[Thinkings]]></description><pubDate>Fri, 02 Jan 2026 22:46:30 -0500</pubDate><generator>Weebly</generator><item><title><![CDATA[Being a Writer is Better than Being in a Band...]]></title><link><![CDATA[http://www.danieldifranco.com/thinkings/being-a-writer-is-better-than-being-in-a-band]]></link><comments><![CDATA[http://www.danieldifranco.com/thinkings/being-a-writer-is-better-than-being-in-a-band#comments]]></comments><pubDate>Fri, 29 Jun 2018 18:04:19 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.danieldifranco.com/thinkings/being-a-writer-is-better-than-being-in-a-band</guid><description><![CDATA[I've been thinking a lot lately about the abuse I put myself through in the name of artistic pursuit. I've always had the drive to create, and the act of creation was reward enough (still is). But, having enjoyed some success as a regional musician and working professionally as a music teacher for my adult life I've seen the underbelly. I've spent the last 10 years making a go of it in the writing world, and in a lot of ways the two worlds overlap: there is A LOT of begging your friends and fami [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span style="color:rgb(0, 0, 0)">I've been thinking a lot lately about the abuse I put myself through in the name of artistic pursuit. I've always had the drive to create, and the act of creation was reward enough (still is). But, having enjoyed some success as a regional musician and working professionally as a music teacher for my adult life I've seen the underbelly. I've spent the last 10 years making a go of it in the writing world, and in a lot of ways the two worlds overlap: there is A LOT of begging your friends and family for support, and let me tell you, getting those likes and RTs is such a sweet, sweet hit of dopamine to your dome&mdash;it almost makes you forget you blew 5k on an EP no one is buying, let alone listening to.</span><br /><br /><span style="color:rgb(0, 0, 0)">Music is a performative art and it needs an audience&mdash;it can be argued that a musician's salt is measured by how well they perform live. The audience is there to experience something that no other art can give them. Maybe the circus...but you won't get it from a Ted Talk, stage play, or 6-story high screen with&nbsp;</span><span style="color:rgb(0, 0, 0)">30.5 THX surround sound&nbsp;</span><span style="color:rgb(0, 0, 0)">while wearing 3-D glasses. Something transcendental happens during a show. If you're willing to accept it (a little lubrication never hurt), witnessing a night of good music can stick with you forever&mdash;there's something ceremonial and communal about sweating it out on the floor with a bunch of fellow seekers. In the right moment, everyone is your brother and sister (except the super tall guy who moves his way up in front of you and stops. Fuck that guy).</span><br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph">&#8203;<span style="color:rgb(0, 0, 0)">Now, this was supposed to be a post on why being a writer is better than being in a band. Still is. But, from an&nbsp;</span><em style="color:rgb(0, 0, 0)">audience point of view</em><span style="color:rgb(0, 0, 0)">, no reading will ever be better than an average performance by a band. Readings force a false performative requirement on writers. Most writers are not performers. Lots of writers do not know this. And, lots of writers would rather shrivel up and recede into a cocoon of blankets, cats, herbal tea, and twitter before leaving the house to bore the shit out of everyone who is polite enough to stand in the room and not say anything when the author, after 12 minutes of reading their sci-fi epic, asks if everyone is good on time and continues for another 17 minutes in which they continue building a world no one in the room gives a shit about. In these moments, I greatly admire and envy the "rather-stay-homers."&nbsp;</span><br /><br /><span style="color:rgb(0, 0, 0)">Now some writers are performers. They have a knack for live storytelling and engaging an audience&mdash;they've got whatever a comic's tight five is, whatever a band's powerset is, whatever thing Freddie Prinze Jr. and Matthew Lillard had in the 90s and then lost. Sadly, these writers are few and far between. But it's not always either Robin Williams on cocaine in Madison Square Garden or a trip to the dentist who doesn't have the right tools to rip out your wisdom tooth, but hey, they're gonna try anyway because you don't have insurance, and that fucker is rotttten. Plenty of writers fall in a sweet and sometimes sour spot of reading the room and giving their art the 5-7 minutes it needs before the other half of the room takes out their phones too. (Reading your words from a phone or tablet is a bad look. Maybe I'm old-fashioned? Maybe I can get an "amen?") P.S. I once heard in a whispered hush of a reading where all the poets read and were on and off in under 3 minutes each...I want to believe...</span><br /><br /><em style="color:rgb(0, 0, 0)">But goddamnit Daniel, why is being a writer better than being in a band? It certainly doesn't sound like it.</em><span style="color:rgb(0, 0, 0)">&nbsp;</span><br /><br /><span style="color:rgb(0, 0, 0)">It is the exact nature of the performative art and relying on an audience that makes being in a band the supremely shittier experience of the two.&nbsp;</span><span style="color:rgb(0, 0, 0)">Writing is a solitary act. Reading is a solitary act. A band, by definition, runs contrary. From the artist point of view, here are the:</span><br /><br /><strong style="color:rgb(0, 0, 0)">Top 10 Reasons Being A Writer Is Better Than Being In A Band</strong><br /><br /><ol style="color:rgb(0, 0, 0)"><li>Other people.</li><li>As a musician you will arrive at&nbsp;the venue 3 hours before everybody else to load in, and then not get&nbsp;home until 3 in the morning. Readings&nbsp;<em>generally</em>&nbsp;have a tighter schedule, and there really isn't much time needed beforehand to get your words&nbsp;in tune.</li><li>Books are so much lighter than amplifiers.</li><li>For some reason, no one, not your friends or family, will ever listen to your music, but they might&nbsp;read your stories&hellip;if they&rsquo;re short enough. Actually, this is probably a tie. No one actually cares. Top 9 Reasons why...&nbsp;</li><li>Did I mention other people?</li><li>With the exception of readings and the blissful days of a writing retreat, you never have to leave your house.</li><li>With the exception of readings, you never have to ask anybody else to leave their houses. People are more apt to support your art with clicking their phones than leaving their homes. Sometimes, some of those clicks are the "Buy Now" button. It's not all about the money, but in one year, through all the paid marketing and gigging in support of an album, all the streaming revenue generated precisely $10.86 per band member. Forget merch sales and door money at the venue&mdash;that goes back to gas, beer, dinner that night, and the parking ticket you got while you loaded in.</li><li>No one thinks you&rsquo;re smart because you&rsquo;re in a band. Unless you're Brian May. Excuse me, Dr. Brian May, astrophysicist.</li><li>You don&rsquo;t have to be young and thin to be a writer. You know this if you&rsquo;ve ever seen a picture of your favorite writer. In fact, as a 30-something year old newcomer, I&rsquo;m still considered &ldquo;young&rdquo; in writer years.&nbsp;I believe the lack of pressure on&nbsp;appearance&nbsp;allows a form of true art to come through.</li><li>Seriously, no matter how much you may love each other when you're in a band, did I mention other people?</li></ol><br /><br /><span style="color:rgb(0, 0, 0)">Feel free to add or disagree in the comments. Be good, everyone.</span></div>]]></content:encoded></item><item><title><![CDATA[The Interview Wherein I Say "Dogshit" in Regards to First Drafts﻿]]></title><link><![CDATA[http://www.danieldifranco.com/thinkings/the-interview-wherein-i-say-dogshit-in-regards-to-first-drafts]]></link><comments><![CDATA[http://www.danieldifranco.com/thinkings/the-interview-wherein-i-say-dogshit-in-regards-to-first-drafts#comments]]></comments><pubDate>Fri, 30 Oct 2015 02:39:02 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.danieldifranco.com/thinkings/the-interview-wherein-i-say-dogshit-in-regards-to-first-drafts</guid><description><![CDATA[A little while back, when&nbsp;Smokelong Quarterly&nbsp;published their quarterly issue I had the privilege to be interviewed. The interviewer,&nbsp;Sequoia Nagamatsu, asked some really damn good questions. I hope I didn't come off too pretentious. See for yourself if you dare. Just follow the link. [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">A little while back, when&nbsp;<em>Smokelong Quarterly</em>&nbsp;published their quarterly issue I had the privilege to be interviewed. The interviewer,&nbsp;<a href="http://www.smokelong.com/category/people/interviewers/sequoia-nagamatsu/">Sequoia Nagamatsu</a>, asked some really damn good questions. I hope I didn't come off too pretentious. See for yourself if you dare. Just follow the <a target="_blank" href="http://www.smokelong.com/smoke-and-mirrors-an-interview-with-daniel-difranco/">link</a>.</div>]]></content:encoded></item><item><title><![CDATA[Writing Music]]></title><link><![CDATA[http://www.danieldifranco.com/thinkings/writing-music1]]></link><comments><![CDATA[http://www.danieldifranco.com/thinkings/writing-music1#comments]]></comments><pubDate>Fri, 11 Jul 2014 19:37:33 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.danieldifranco.com/thinkings/writing-music1</guid><description><![CDATA[ This isn't a post about writing actual music. This is a post about the most KICKASS! music to listen to while writing.Because I'm a cultured motherfucker, I&nbsp;listen to classical music when I write. I find music with words to be distracting when trying to craft my own. And, I'll wager anyone that's not moved&nbsp;to write some inspired prose while Chopin's Etudes&nbsp;settle into their bones doesn't have the soul to write inspired prose to begin with. All that solitude stuff that Rilke talks [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="http://www.danieldifranco.com/uploads/2/9/2/3/29232939/9114326.jpg?164" style="margin-top: 5px; margin-bottom: 5px; margin-left: 0px; margin-right: 5px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -5px; margin-bottom: 5px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:justify;display:block;"><span>This isn't a post about writing actual music. This is a post about the most KICKASS! music to listen to while writing.</span><br /><br /><span>Because I'm a cultured motherfucker, I&nbsp;listen to classical music when I write. I find music with words to be distracting when trying to craft my own. And, I'll wager anyone that's not moved&nbsp;to write some inspired prose while Chopin's Etudes&nbsp;</span><span>settle into their bones doesn't have the soul to write inspired prose to begin with. All that solitude stuff that Rilke talks about - you won't get that with Beyonc&eacute; or Zeppelin. Your mind needs to be at ease to find those&nbsp;hidden layers and truths that good, lasting writing reveals.</span><br /><br /><span>Even though listening to classical music as a way to&nbsp;heighten&nbsp;intelligence and performance is mostly&nbsp;<a href="http://lrs.ed.uiuc.edu/students/lerch1/edpsy/mozart_effect.html#Conclusion" target="_blank">unsubstantiated in the scientific community</a>, there is proof that loud and distracting music diminishes creativity, while&nbsp;<a href="http://www.jstor.org/stable/10.1086/665048" target="_blank">ambience has a positive effect on creativity</a>. Even though I squirm at referring to the works of LVB and Freddy C. as ambient, I am willing to concede that it does act as a background - a&nbsp;beautiful white noise that elevates our minds and souls.</span><br /><br />Without further ado, here is my "<a href="http://www.youtube.com/playlist?list=PLD-G0JUb8pI6M9puAENziopfn8vsMQnvw" target="_blank">Beginners Guide to Writing with Classical Music" playlist</a>. You'll recognize some classics, maybe be introduced to some new ones, and hopefully discover the writer that exists when you shut the words off.<br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph"></div>]]></content:encoded></item><item><title><![CDATA[Life after the mfa]]></title><link><![CDATA[http://www.danieldifranco.com/thinkings/life-after-the-mfa]]></link><comments><![CDATA[http://www.danieldifranco.com/thinkings/life-after-the-mfa#comments]]></comments><pubDate>Mon, 07 Jul 2014 17:46:02 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.danieldifranco.com/thinkings/life-after-the-mfa</guid><description><![CDATA[Do More - Do Less  It&rsquo;s been two months. I'm moving to New York. I'm packing it all up and fucking leaving. That's what an article or two says I should do - the ones I read as I was finishing up my program. New York is where it's at. I can see myself now - lunch with agents, drinks with editors, sucking down oysters with the darlings of the scene (fact: I've never had an oyster, and that's the first time I've ever referred to people as "darlings.&rdquo;)&nbsp;I've already borrowed and used [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:center;"><span style="font-style: normal;"><strong>Do More - Do Less</strong></span></div>  <div class="paragraph" style="text-align:left;"><span>It&rsquo;s been two months. I'm moving to New York. I'm packing it all up and fucking leaving. That's what an article or two says I should do - the ones I read as I was finishing up my program. New York is where it's at. I can see myself now - lunch with agents, drinks with editors, sucking down oysters with the darlings of the scene (fact: I've never had an oyster, and that's the first time I've ever referred to people as "darlings.&rdquo;)&nbsp;</span><br /><br /><span>I've already borrowed and used the none-too-soon-to-be-paid-back money on the MFA and put on the gown. I have an assorted collection of rejections, and spent money on contests like a lottery fiend that believes the next scratch off will be the one to keep them in menthol cigarettes, convenience store food, and beer sold by the volume to be consumed in the tree lined, back of a bank parking lot for one more Tuesday morning. I've spent more time in one week looking at frames for my diploma and obsessing over the word "moulding" than I did writing and editing. (In the end I decided to forgo the austere reverence of walnut and nailed the damn thing to the inside wall of my closet.) I&rsquo;ve been researching agents, small presses, and authors whose books are similar-ish to mine. Man, let me tell you &ndash; if this is life after the MFA, New York has got to be better. At least I&rsquo;d be in New York scraping away at the edges of literary obscurity, instead of sitting here scraping away at a small, dried glob of peanut butter that fell off my toast and onto my pants, while reading the hundredth article on what makes a good query.</span><br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph"><span style="color:rgb(0, 0, 0)">Back to reality and focus as I stare down 77,000 words that I think are done, that an agent is going to change &ndash; that an editor is definitely going to change. The words are close and I want to move along to the next phase. My old professor (as in tense, not age),&nbsp;<a href="http://joshuaisard.com/" target="_blank">Joshua Isard</a>, author of&nbsp;</span><em style="color:rgb(0, 0, 0)">Conquistador of the Useless</em><span style="color:rgb(0, 0, 0)">, Cinco Punto, 2013, told me upon graduation in reference to my novel, &ldquo;These things don&rsquo;t expire.&rdquo; Those words, two months later, are starting to make a whole hell of a lot of damn sense. Despite the urge to keep this fire in my gut burning at full blast, I know that in order to put my best foot forward, I need to slow down so that the work will be as good as it can be. One of the most important lessons I learned during the MFA is when to exercise patience (a lesson I am still letting sink in). It&rsquo;s easy for authors who have a book published to tell an unpublished writer to wait &ndash; which is just about every author I&rsquo;ve ever spoken to &ndash; that gives the reading public more time to buy&nbsp;</span><span style="color:rgb(0, 0, 0)">their</span><span style="color:rgb(0, 0, 0)">&nbsp;books. It&rsquo;s also good advice from authors who have been through the hoops.</span><br /><br /><span style="color:rgb(0, 0, 0)">This is life after the MFA. I&rsquo;m sitting on a few publishing credits and a novel I believe in. Waiting. Tweaking. Meeting people and making connections. Working on new stuff. Submitting. Taking pride in the quality of the new first drafts. Burying the coursework and pre-MFA words in a password protected folder on the Deep Web. Understanding that this all takes time and patience. That I have to do more in certain areas, less in others. Take the time. Chill the fuck out. The work won&rsquo;t expire &ndash; and whether it came from the labors of a low-residency program or small studio apartment, it&rsquo;d better be good.</span></div>]]></content:encoded></item></channel></rss>